"...what's really exciting about this new work is not so much just the very idea of philosophers doing experiments but rather the particular things that these people ended up showing. When these people went out and started doing these experimental studies, they didn't end up finding results that conformed to the traditional picture. They didn't find that there was a kind of initial stage in which people just figured out, on a factual level, what was going on in a situation, followed by a subsequent stage in which they used that information in order to make a moral judgment. Rather they really seemed to be finding exactly the opposite."
"What I want to do today is talk about some ideas I've been exploring concerning the origin of human kindness. And I'll begin with a story that Sarah Hrdy tells at the beginning of her excellent new book, "Mothers And Others." She describes herself flying on an airplane. It’s a crowded airplane, and she's flying coach. She's waits in line to get to her seat; later in the flight, food is going around, but she's not the first person to be served; other people are getting their meals ahead of her. And there's a crying baby. The mother's soothing the baby, the person next to them is trying to hide his annoyance, other people are coo-cooing the baby, and so on."
"Culture is our biological strategy. It's a new and better way of relating to each other, based on shared information and division of labor, interlocking roles and things like that. And it's worked. It's how we solve the problems of survival and reproduction, and it's worked pretty well for us in that regard. And so the distinctively human traits are ones often there to make this new kind of social life work."
"...I think we should differentiate three projects that seem to me to be easily conflated, but which are distinct and independently worthy endeavors. The first project is to understand what people do in the name of "morality." We can look at the world, witnessing all of the diverse behaviors, rules, cultural artifacts, and morally salient emotions like empathy and disgust, and we can study how these things play out in human communities, both in our time and throughout history. We can examine all these phenomena in as nonjudgmental a way as possible and seek to understand them. We can understand them in evolutionary terms, and we can understand them in psychological and neurobiological terms, as they arise in the present. And we can call the resulting data and the entire effort a "science of morality". This would be a purely descriptive science of the sort that I hear Jonathan Haidt advocating."
"I just briefly want to say, I think it's also crucial, as long as you're going to be a nativist and say, "oh, you know, evolution, it's innate," you also have to be a constructivist. I'm all in favor of reductionism, as long as it's paired with emergentism. You've got to be able to go down to the low level, but then also up to the level of institutions and cultural traditions and, you know, all kinds of local factors. A dictum of cultural psychology is that "culture and psyche make each other up." You know, we psychologists are specialists in the psyche. What are the gears turning in the mind? But those gears turn, and they evolved to turn, in various ecological and economic contexts. We've got to look at the two-way relations between psychology and the level above us, as well as the reductionist or neural level below us."
"What I want to talk about is piggybacking off of the end of Paul's talk, where he started to speak a little bit about the debate that we've had in moral psychology and in philosophy, on the role of reason and emotion in moral judgment. I'm going to keep my claim simple, but I want to argue against a view that probably nobody here has, (because we're all very sophisticated), but it's often spoken of emotion and reason as being at odds with each other — in a sense that to the extent that emotion is active, reason is not active, and to the extent that reason is active, emotion is not active. (By emotion here, I mean, broadly speaking, affective influences)."
"In spite of these beliefs I do think about decisions as reasoned or instinctual when I'm thinking about them for myself. And this has obviously been a very powerful way of thinking about how we do things because it goes back to earliest written thoughts. We have reason, we have emotion, and these two things can compete. And some are unique to humans and others are shared with other species."
"The notion of robustness became my recent obsession. How to be a robust? It's not clear; it's the hard problem — and that's my problem."
"Now we are starting to work with organisms that are more likely to appear in a hospital, like staph and influenza, and we have our sights on Clostridia difficile, Pneumococcus aeruginosa, Acetinobacter baumanii and an alarming number of other bacteria that are resistant to antibiotics. We are also working on influenza, which has a convenient little feature called M2e."
"I was not writing for an audience. I was writing for myself. I was making something for myself. And then just hoping that maybe somebody else had similar interests. But of course, in the early days, 75 percent of my audience would walk out after 20 minutes. And being a young Turk, I thought that was great, because it proved I was making real stuff. But I still have a very ambivalent attitude towards the audience, which is one of the things I've always hated about the theatre, because I believe that people, en masse, always have a reaction that is lower and less interesting than any individual person that you can confront and have a relationship with."