THE ART OF MAPS

[ Thu. Oct. 21. 2010 ]

 

Curator Hans Ulrich Obrist, invited 50 artists on stage in a 20-hour event in London: A marathon on the Maps of the 21 Century. It was about more than just Google Maps.

[Google Transtlation:] With pith helmet and ice axes, the men went into battle against the unknown. The victorious are now in the Hall of Fame. David Livingston, the missionary and explorer, the first European to see Victoria Falls and as its "discoverer", looks down graciously from his lush stucco frame at the guests of the Royal Geographical Society in London.

The marathon was to be understood literally. In 20 hours were about 50 artists, architects, philosophers, scientists and musicians on the stage. After 15 minutes they were usually heruntergescheucht again, the next speaker was waiting. The British architect David Adjaye put on there about his typology of architecture in Africa, for which he has photographed ten years buildings in the 53 states.

The skepticism about the truth of cards

The philosopher Rosi Braidotti, who teaches at the Human Rights Institute at the University of Utrecht, pointed out that we owe the skepticism about the truth of cards by post-modernism. And the American literary agent John Brockman, founder of the influential Internet platform "Edge", showed different maps used in science are like. Many of them were indeed diagrams, such as the developmental biologist Lewis Wolpert made clear, but it would be in London not to spoil the fun.

Thus one saw an intricate network of countless points of intersection, which made the sociologist Nicholas A. Christakis and political scientist James Fowler of the relationship between obesity and social contacts visible, and the gene pioneer J. Craig Venter gave what looked like an endless series of colorful building blocks: the map of the first synthetic composite heritage.

It was the fifth time that Hans Ulrich Obrist chose this strength-sapping format of the race, an issue considered by as many points of view. After manifesto and poetry — the themes of the past two years — Obrist with this year's focus has, however, was a perfect landing.

Few technologies seems to characterize the young century as the new cartography. This could already be at the DLD Conference this year in Munich from the start, when the curator ever been to a small group, a symposium cards held on: Whether designer, astronomer, or Internet artists — all spoke of the great changes that the digital cartography with them was initiated.

While in London Obristgreatly expanded its guest list, showing that the marathon reflects a global development. Since 2005 when the U.S. internet company Google began its map service, Google Maps is almost omnipresent. From the once precious resource for a hero and ruler, the medium has become readily available for the masses, to be used by both experts and lay people.

In the run up to the "Map Marathon" Obrist asked contemporary artists about their personal map of the 21 Asked century. Because Obrist, simply the greatest networker in the art world, is why he is the main curator of the world was titled as before, it was then much mail for the Serpentine Gallery . ...